91滴滴

Cultural historian and film studies scholar. Associate professor at the Department of Cultural Research at the University of 艁贸d藕, specializing in cultural history of cinema, mass culture, and urban entertainment, with particular emphasis on early cinema in Poland and cultural modernization processes. His research integrates cultural history, film studies, and materialist cultural analysis. He received his MA in Cultural Studies from the University of 艁贸d藕 and completed his doctoral studies at SWPS University in Warsaw with a distinguished dissertation on street art and visual culture, which was awarded the Inka Brodzka-Wald Prize by the Polish Academy of Sciences. After his doctorate, he conducted post-doctoral research at the University of Gda艅sk as part of a National Science Centre FUGA grant.

Before focusing fully on academic work, he served as Academic Program Curator at the Museum of Art in 艁贸d藕, Curator at the National Center for Film Culture, and Program Director of the Regional Congress of Culture in 艁贸d藕.

Dr. Biskupski is a co-founder and former vice-chairman of the Urban Initiatives Association "Topografie" in 艁贸d藕. He was part of the team developing programs at the Municipal Culture Point Prexer-U艁, a cultural center operating under the patronage of the University of 艁贸d藕. He co-authored the concept for Miastograf.pl digital archive.

<h1>Research Interests</h1>

Cultural history of cinema and entertainment
• History of popula culture
• Urban cultural practices and modernization
• Street art and visual culture
• Film industry history
• Cultural studies methodology and history

<h1>Academic Career</h1>

University of 艁贸d藕 (2020-present)
• Post-doctoral Researcher, Department of Cultural Studies, University of Gda艅sk (2016-2019), National Science Centre FUGA Grant
• Department of Humanities, SWPS University of Social Sciences and Humanities, Warsaw (2013-2016)

<h1>Books</h1>

Prosto z ulicy: sztuki wizualne w dobie medi贸w spo艂eczno艣ciowych i kultury uczestnictwa - street art. Warszawa: B臋c Zmiana - SWPS, 2017

Visual Arts in the Age of Social Media and Participatory Culture - Street Art

Drawing from street art as a case study, this book examines transformations in visual arts in an era dominated by social media's influence on artistic and market hierarchies. The internet's evolution has fundamentally restructured media content production, previously controlled by major institutional players. The emergence of new cultural distribution channels, particularly blogs and social media, has enabled circumvention of traditional cultural gatekeepers. This shift has generated novel value hierarchies, networks of influence, and intermediary roles, while accelerating professional development pathways. Termed "participatory culture" by media scholars, this phenomenon extends beyond digital spaces to reshape various spheres of social reality, including visual arts. Street art practices exemplify this transformation of power relations within visual arts. Employing the sociological concept of 'circuit,' the author demonstrates how street art represents a new 'popular' artistic circuit that epitomizes the dynamics of participatory culture.

Review:

Kazimierska-Jerzyk, Wioletta. 鈥淲arto艣ci Street Artu.鈥� "Kultura Wsp贸艂czesna" Nr 3/2019, Miasta-Utopie, 2019. doi:10.26112/kw.2019.106.15.

Papierowi bandyci: wypisy z polskoj臋zycznych powie艣ci obiegu brukowego do 1939 roku. 艁贸d藕: Officyna, 2017.

Kinofilia zaanga偶owana: Stowarzyszenie Mi艂o艣nik贸w Filmu Artystycznego "Start" i upowszechnianie kultury filmowej w latach 30. XX w. 艁贸d藕: Officyna, 2017.

Review: 

Talarczyk, M. (2018) 鈥� Restart Stowarzyszenia Mi艂o艣nik贸w Filmu Artystycznego鈥�, Kwartalnik Filmowy , (103), s. 237鈥�241. doi: 10.36744/kf.1931.

Miasto Atrakcji. Narodziny kultury masowej na prze艂omie XIX i XX wieku. Kino w systemie rozrywkowym 艁odzi. Warszawa: Narodowe Centrum Kultury, 2013.

"City of Attractions" examines the transformation of popular culture and emergence of cinema in late 19th/early 20th century 艁贸d藕鈥攖he largest industrial center in the Polish provinces of the Russian Empire.

The study traces cinema's "double birth" within the city's entertainment system. The cinematograph emerged in the 1890s as a novel technology within the established culture of attractions, alongside curiosity shows and variety theaters. After 1907, cinema evolved into a distinct entertainment sector, developing dedicated venues and cultivating a regular audience engaged in what contemporary press dubbed "cinemadness."

This history of a "city of attractions" illuminates how mass commercial entertainment shaped modern consumer society on Europe's periphery. As primary sites of urban consumption, cinematograph theaters offered accessible cultural products that embodied modernity itself. The practice of "cinemadness" enabled participation in an imagined cosmopolitan lifestyle, while films served as practical guides to modern living. Cinema's inherently cosmopolitan nature fostered a unified, homogeneous audience whose size reflected society's broader capacity for consumer participation鈥攖hus exemplifying the distinctive patterns of peripheral modernization.

Download: 

Review:

Ko艂os, Sylwia. 艁ukasz Biskupski, Miasto Atrakcji. Narodziny kultury masowej na prze艂omie XIX i XX wieku. Kino w systemie rozrywkowym 艁odzi, Narodowe Centrum Kultury, Warszawa 2013, ss. 320. Klio - Czasopismo Po艣wi臋cone Dziejom Polski i Powszechnym [online]. 6 czerwiec 2014, T. 28, nr 1, s. 229鈥�232. DOI 10.12775/KLIO.2014.013.

Zaremba, 艁ukasz. 鈥淩ecenzja Ksi膮偶ki 鈥楳iasto Atrakcji鈥� 艁ukasza Biskupskiego.鈥� "Kultura Wsp贸艂czesna" 2014, Nr 1, 2014.

Research Projects

"History of the Sfinks Company Against the Background of Film Industry Organization in the Second Polish Republic" (2016-2019) - Principal Investigator, Post-doctoral National Science Centre FUGA Grant (2016/20/S/HS2/00121)
• "History of Popular Culture in Poland in the First Half of the 20th Century from a Transmedial Perspective" (2013-2016) - Main Researcher, National Science Centre SONATA BIS Grant (2012/07/E/HS2/03878)
• "Popular Culture and Early Cinema in Polish Territories Under Russian Rule 1890-1914" (2013-2015) - Principal Investigator, National Programme for the Development of Humanities Grant (21H12020681)

Conference Organization

Chairman of Organizing Committee, "History of Popular Culture in Poland until 1939," SWPS University (2015)
• Member of Organizing Committee, "Archives of/for the Future" - European Network for Cinema and Media Studies (NECS) Congress, University of 艁贸d藕 (2014)

Awards and Recognition

Inka Brodzka-Wald Award for best doctoral dissertation, Polish Academy of Sciences (2016)